I'm eager to see the new film Capote
starring Philip Seymour Hoffman, not so much because I'm interested
in that puffy self-satisfied egoist Truman Capote who seemed to
regularly embarrass himself on TV talk shows in the drug-rattled
later years of his life, (he died of an overdose in 1984, age 59),
but because Hoffman is said to so exactly capture Capote's
mannerisms, affectations and speech patterns that he is likely to be
nominated and perhaps win Oscar this time out after having given so
many bravera performances in previous films.
I'm likely to actually go to a movie
theater to see this film rather than wait for the DVD which is my
usual habit, because I've recently re-read In Cold Blood Capote's
magnum opus said to have innovated the literary non-fiction genre.
Capote was widely and rightfully celebrated for this ground-breaking
book, but of the many literary non-fiction writers practicing today
I'd place Capote low on the list, preferring instead, John McPhee,
Tracy Kidder, Richard Rhodes, et al. whose work as literary journalists I believe is more distinguished in the George Orwell, Down and Out in Paris and London tradition. Still, In Cold Blood,
masterly bit of writing, in a
style that was cutting edge when it was published in 1965. Like
other literary non-fiction since, it first appeared in four
installments in the New Yorker.
In her review of
the movie in Slate Daphne Merkin acknowledges the movie's success in
capturing the process of writing with which I am familiar, and
interested.
Capote enables us to grasp, more
than any movie on the subject I have seen, what it is exactly that a
writer does when he or she writes, how observation leads to
perception leads to the crafting of sentences. In so doing, it gets
far closer to the complicated, elusive heart of this strange
calling—the way it is both an explicitly private but implicitly
public act, a means of rendezvousing with the self but also of
showcasing the self—than any cinematic depiction until now.
So, there you have
it. Three good reasons to get out and see this movie as soon as it is
widely released and comes to a theater near-by. But I know I'm going
to be annoyed by all those commercials and previews.